Showing posts with label artists. Show all posts
Showing posts with label artists. Show all posts

Saturday, October 12, 2013

Petra Attack

Hello Rea-dears, 
Sorry for the long hiatus. Lots and lots has been happening lately and I have not been able to blob. (No typo) But I do have the energy/time/focus at the moment to acknowledge one of the ladies/people that's inspiring me right now: Petra Collins, artist, photographer, curator. Some of you may know her work from Rookie Mag, or from the recent Internet-outburst over her vagina t-shirts being sold at American Apparel. I think Petra's t-shirts are empowering--having your period is a real thing that no one actually talks about, really truly, as is female masturbation (the fact that I have to refer to it as female masturbation to make sure people know what I'm talking about is right there a "nuff said")--not "disgusting" or "too much" or "ew." You want to degrade us for our anatomy? Then stop being so gad-dam squeamish about the part of our bodies that you think make us inferior. What I really want to say is, of course, stop thinking we're not equals, but I've made that pretty obvious on many occasions.

Something I love about all of Petra's work is that she often seeks to capture women and girls' vulnerabilities, and thus our strengths. Hiding truth and reality, whether they are accepted or expected or anything except what they are, does not make anyone strong--it makes them weaker for not being able to stand head-to-head with the inevitabilities of the world. You can shake in your boots and melt to the ground or burst at the seams, but if you reveal yourself, You, to the Universe, in whatever way that may be, you'll always be strong. I know this all seems out of place and irrelevant, but it's integral to understanding and appreciating the starkness, rawness, and ultimately the impact of Petra's photographs. 

Here are some photos I screen-shotted from Petra's website that I think exemplify what I was trying to explain above. 

[All photos by Petra Collins.]

What I noticed/why I chose this photo: Bra strap/unhooked bra

What I noticed/why I chose this photo: Self-scrutiny

What I noticed/why I chose this photo: Silent tears

What I noticed/why I chose this photo: Anger/gun/pink

What I noticed/why I chose this photo: "Make good decisions!"

What I noticed/why I chose this photo: Pubic hair

What I noticed/why I chose this photo: Armpit hair

What I noticed/why I chose this photo: Menstruation + braless-ness

I'll be back with some more original content soon but just hold ya horses.

~News update~ Also I met a cute puppy the other day and he was very soft.

PS I suggest reading this interview Petra did with Vice, because she explains and articulates herself well.


Sunday, September 8, 2013

Bang Bang

Last Wednesday, I was invited by OMEN PR to attend the opening for the tattoo artist Bang Bang's new shop in the Lower East Side. Even though Bang Bang is only 27, he's already tattooed Rihanna, the Biebz, Selena Gomez, Katy Perry, Russell Brand, Cara Delevingne, and lots of basketball players whose names I don't really know. That's pretty freaking amazing for someone so young. That's a lot of famous skin. 

The event was part grand opening, party charity function; lining the wall in the front room were framed and signed kisses from some of Bang Bang's celebrity clientele. There's an auction being held for these framed kisses, with the option for the winners to get the lips inked onto their own body. The money raised is going to a local animal rescue organization, Animal Haven and Empty Cages Collective. Art, tattoos, loud music, nice/well-dressed people, and good deeds: what more can you ask for on a Wednesday night? 

I really dig the idea of tattoos, I actually may get one/more than one someday, but I hate needles so I'd probably have to be heavily sedated in order to go through with it. I'd want something really dainty and cute and sophisticated. I have a tall order, whatever. 

I was able to bring along Alina, so her and I dressed up in our Wednesday night best and went out on the town. After a while, our bodies began crumbling from the stress of high heels (okay fine, just Alina, I'm not brave enough to wear high heels) so we had to leave and wait for our mommies in a Burger King down the street, but that was a stupid mistake because apparently Rihanna showed up later. Of course. 

 [First six photos by me; last three photos courtesy of OMEN PR.]


The lips of a famous person on paper!

A wall of kisses

A cool-lookin' lady 

The part-ay scene outside, where Alina and I spent most of our time

More lips! (Katy Perry?)

J. Biebs drew a silly little mouth cuz he's silly

Peep me and Alina on the far right!

That's me and her again!! 

Bang Bang with Rihanna, likely moments after we left, because I have terrible luck and the stars hate me. 

OMEN PR also sent me to a fashion show that I will report on soon, as well as another party that I ended up not being able to go to, but I was honored to be invited anyway.

I apologize for the boringness of my writing this morning, school starts tomorrow and I can already feel the life being sucked out of me.


Wednesday, August 7, 2013

On Est Toujours Fatigué

C'est vrai. Je crois que je vais tomber sur la terre dans quelques jours. Dès que j'ai écrit sur la blog la dernière fois, nous avons marché, peut-être, 70 kilometres. Et nous avons voyagé par train ou par bus de Paris, à Avignon, à Les-Baux-de-Provence, à Saint-Rémy-de Provence (le lieu où Vincent van Gogh a peint la plus part ses tableaux plus célèbres), et maintenant, nous nous sommes arrêtées dans une gare à Marseille, attendant notre train à Aix-en-Provence. Nous resterons là pour un jour, et puis nous irons à Cannes, et puis Nice, et nous dînerons à Ventimiglia, en Italie, jeudi soir, et enfin, nous retournerons à Paris. Lundi, on part pour les Etats-Unis, malheureusement. 

It's true. I think I'll fall flat on the ground in a few days time. Since I last wrote on this blog, we've walked approximately 70 kilometers. And we've traveled by train or by bus from Paris, to Avignon, to Les-Baux-de-Provence, to Saint-Rémy-de-Provence (the place where Vincent van Gogh painted most of his most famous works), and right now, we're chillin' at a train station in Marseille, waiting for our train to take us to Aix-en-Provence. We'll be staying there for one day, and then we're going to Cannes, then Nice, and then we'll have dinner in Ventimiglia in Italy Thursday night, and finally, we'll return to Paris. We leave for the US on Monday, sadly.

Je suis passée mon anniversaire à Paris. J'ai fait une promenade à vélo le matin, et l'après-midi nous sommes partis pour le cité (mais d'abord l'ami de ma soeur m'a achetée des pantalons à la style d'une pirate à la marché). Nous avons marché des Invalides au Quartier Latin, et selon ma requête, nous sommes allés au Shakespeare & Co., une librairie anglaise située au début du quartier, et juste en face de la Seine. Elle a une affiliation avec City Lights Books, la librairie en Californie qui a imprimé les livres et poèmes des écrivains du Beat Generation (mes écrivains favoris, comme Jack Kerouac, Allen Ginsberg, et cetera.). Après que j'ai trouvé les livres que j'ai voulu acheter--un livre qui s'agit de la vie et l'oeuvre d'Egon Schiele, et un petit livre des écritures et poèmes écrit par Kerouac--j'ai demandé à une employée de me dire qu'est-ce que c'est l'affiliation entre Shakespeare & Co. et City Lights, et elle m'a dit que Lawrence Ferlinghetti, la propriétaire du City Lights, aimait Shakespeare & Co. et la fréquentait souvent. Elle m'a dit de demander à un autre employé pour plus d'information. Je l'ai cherché, et il m'a dit d'un hôtel qui est pas loin de la librairie où les écrivains Beat sont restés dans les années 50s et 60s. (J'ai visité cet hôtel lendemain, et je suis retournée à Shakespeare et j'ai dit à cet employé qu'est-ce que j'ai vu, et il m'a dit qu'il y a plusieurs choses que je n'ai pas vu, comme la Dream Machine, et autres choses.) Puis, nous avons marché au Marais, où on a trouvé des "thrift shops" et j'ai acheté une longue robe bordeaux en velours pour seulement dix euros. C'est très jolie. Après, nous sommes allés au Montmartre pour dîner près de Sacre Coeur et manger des crêpes. J'ai mangé des escargots et une crêpe avec Nutella et chantilly. Après ce jour fatiguant, nous sommes retournés chez nous, et ma mère m'a donnée des autres cadeaux, une édition de Le Petit Prince (mais en anglais) inclus. Je suis en train de le lire.

I spent my birthday in Paris. I took a bike ride in the morning, and in the afternoon we left for the city (but first my sister's friend bought me a pair of pirate pants at the market). We walked from Invalides to the Latin Quarter, and at my request, we went to Shakespeare & Co., an English bookstore situated at the start of the neighborhood, and right across the street from the Seine. It has an affiliation with City Lights Books, the bookstore in California that published the books and poems of the writers of the Beat Generation (my favorite authors, like Jack Kerouac, Allen Ginsberg, etcetera). After I found the books I wanted to buy--a book about the life and works of Egon Schiele, and a little book of writings and poems by Kerouac--I asked an employee to tell me about the affiliation between Shakespeare & Co. and City Lights, and she told me that Lawrence Ferlinghetti, the owner of City Lights, loved Shakespeare & Co. and still continues to frequent it often. She told me to ask a different employee for more information on the subject. I found him and he told me about a hotel that's not far from the bookstore where the Beat writers had stayed in the 50s and 60s. (I visited the hotel the day after next, and then I went back to Shakespeare and told the guy what I'd seen, and he told me that there were a lot of things I hadn't been shown, like the Dream Machine and some other things.) Then we walked to the Marais, where we found some thrift shops and I bought a long bordeaux velvet gown for only ten euros. It's bangin'. After that, we went to Montmartre for dinner near Sacre Coeur and ate crêpes. I ate snails and a Nutella and whipped cream crêpe. After our ridiculously tiring day, we went home, and my mom gave me more gifts, including an English version of Le Petit Prince (The Little Prince). I'm in the middle of reading it right now.

On a marché beaucoup (trop, peut-être!), déjeuné avec nos amis de famille, et visité des cathédrales, des palais, et des châteaux. New York me manque un peu, mais je serai très triste de sortir ce pays dans moins qu'une semaine. 

We've walked a lot (too much, maybe), had lunch with some family friends, and visited cathedrals, palaces, and castles. I miss New York a little bit, but I'll be super sad when I have to leave this wonderful place in less than a week.

DON'T FORGET TO ENTER THE SOLE PROVISIONS GIVEAWAY! PLEASE! JE VOUS EN PRIE! 


Monday, July 8, 2013

Mapple

I recently finished reading Just Kids by Patti Smith. This book inspired me to write, to make art, to sing, and to learn about my city's and culture's history. It follows the story of Patti Smith and Robert Mapplethorpe making their way into the art and music scenes in New York City in the sixties and seventies. She introduces you to some of the most remarkable people of the 20th century, like Jimi Hendrix, Allen Ginsberg, Sam Wagstaff, and Bob Dylan. 

As a poet, visual artist, and performer, I like to think that Patti and I have a lot in common (in theory). But one of the most beautiful aspects of the memoir is her relationship with Robert. Their devotion to one another is so wholesome and unconditional that it sort of makes you want to go find Patti Smith and hug her, or maybe write her a really long letter, or look at every picture of them together. Patti allows you to experience the intimacy of their relationship unapologetically and fully. After I finished Just Kids, I immediately Google'd Robert's work and took out some of my favorite photographs of his. I felt that much more connected to his pictures because I'd learned his personal history and about his climb to the pinnacle of artistic talent. 

I strongly recommend the book to everyone, no matter if you're a Patti Smith fan or not (I'd never heard her music before I read her book). It's wonderful and well-written and beautiful. And it has lines like, "It had started with the moon, inaccessible poem that it was." 








If there's a Robert Mapplethorpe exhibit near you at any point, you obviously must go see it and report back to me.


Sunday, April 28, 2013

Inspired by a Human: Egon Schiele

To make up for how much I suck at this whole blogging thing, I decided to make a post about one of my favorite artists, Egon Schiele. That much you were most likely able to deduce from the title. You can tell I'm a little rusty. 

I stumbled upon Schiele last spring--that damn Internet is always stuffing my brain with new things--but I forgot about him for a while. Then this winter, I was talking to Ramona and she mentioned him, and I ended up borrowing a book about him from her. I read it cover to cover (that's usually what one does with a book), soaking up all of the deliciousness of his oeuvre. 

What I love about his work is how much he just doesn't care about certain things. He treated the body as an object when creating art (and sadly just in general...there were several accounts of him sexually molesting his young female models. Why people gotta be dumb, ya know?), which added a dimension of rawness to his pieces. The bulk of his work was self-portraits and nude portraits of himself and others, but he started doing more landscapes and houses in his later years. He was only 28 when he died in 1918, so his life was pretty short, but for such a young artist he accomplished a great deal artistically and even politically. His style was sort of revolutionary for his time, with all his blunt nudism and contorted bodies and stuff, but people love(d) him. My sense of it is that he was sort of that really crazy guy that people were like, "Okay are you even human what is your brain doing plz explain????" but at the same time totally respected that they would never fully understand what he was all about. He just did his own thing, and I think that really rocks. So here are some of my favorite of his pieces. I didn't include any full-on naked people in case that would make anyone uncomfortable. The captions are not the actual names of the pieces, because I couldn't find all of those. 

[Photos via Tumblr.com.]

A self portrait 

A topless woman

Portrait of Johannes Harms

Double self portrait (this was my computer background for a while)

A house

Self portrait (I think)

Mother and baby

Kool kat, n'est-ce pas? 

Okay, I'll be back soon. In the mean time read stuff I wrote if you feel like it, or don't. 


Friday, March 29, 2013

Interviewing Famous People: Erin Barr

I went to Erin Barr's Spring 2013 presentation in September of this past year, and that was my first encounter with the designer's work. I had never heard of her, but I loved what I saw. I could tell that she was going places. Surely enough, Fall 2013 saw her transitioning to the runway, and she debuted her most recent collection at Chelsea Piers. That's like, a really big deal. The designer was kind enough to respond to a few questions of mine through email, so that's what you'll find below. 

Erin Barr is from Wisconsin, and originally studied to work in hair and makeup, graduating from the Aveda Institute. After working for a few years in the beauty business (quite successfully), she realized that fashion was her calling and moved to London for a year to attend Central Saint Martin's (the alma mater of Alexander McQueen, Stella McCartney, Zac Posen, Phoebe Philo, and a bajillion more extremely well-known fashion designers), and then came back to New York City to finish up her schooling at Parson's New School for Design. She then went on to intern at Alexander Wang and Cushnie et Ochs, and finally in the fall of 2011, she opened her own eponymous line and produced her first collection for Spring 2012. 

[Photos courtesy of MAO PR, from the designer's Fall 2012 collection.]


How did growing up in Wisconsin as opposed to a major city (like New York City) mold your ideas and conceptions of beauty and fashion? 

I think it's really all relative to where you are when it comes to fashion. I know when I go home, I probably dress a bit more practical. For example, there are times in the winter there when warmth trumps style! But you can still make it look cool and chic. In New York, I think fashion is for one much more accessible, and you can get a little more creative, a little crazier maybe!

What inspired you to initially pursue a career in hair and make-up? 

Fashion design as a career wasn't in my vocabulary growing up. For me doing hair and makeup was a step toward finding what I really wanted to do in life. I'm so happy that I have that background now, because it really helps to imagine and communicate an entire look or feel.


Did you always have a passion for clothing, or was it sparked by your high-profile work in New York City in salons and on photo shoots? 

I definitely always had a passion for clothing and design. I used to go to the Border's bookstore when I was in High School and just stock up on magazines. I would tear out everything I was inspired by, and I would keep the tear sheets in a binder. That was my thing.
 
Would you say that the decision to go to Central Saint Martins was life-changing? Did the experience reshape your future, or do you think you would have ended up designing even if you hadn't moved to London? 

For me, moving to London and attending CSM was the best experience and choice I've made. It's such a great school, and it really opened my mind up to the creative possibilities. The fact that there should be no limits, yet you should be able to have restraint as well. If I hadn't gone to London I like to think that I would still have ended up designing. I know I would definitely be making art, though. I have to, it's in my blood.


What was it like to intern at some of the most cutting edge and of-the-moment design houses? 

Really inspiring! I learned so much from working with Alexander Wang and at Cushnie et Ochs.


How did you start your own brand? Was it a huge leap from working for other people? 

I had been thinking about starting my own brand for some time, and then the timing just felt right. It was a challenge in the beginning, but it was the challenge that was exciting.


How would you describe your vision for your line? 

Tomboy-Sexy with a Minimalist twist.




Are there any other careers you would like to explore in the future? 

Motherhood. Artistic Collaborations. 

What would you say are the pros and cons of being a fashion designer? 

It's great being able to work in a creative environment. But you do a lot of running around from factory to office, to fabric/trim stores, to meetings, and then back again. It's never a sit still at your desk kind of day. 

Do you have any advice for someone looking to work in the fashion or beauty industries? 

I think it's very important to get experience in any way. Don't limit yourself to only the big brands, either. There is so much to learn working with a smaller company.
 
Is there anything else you would like to add? 

Well...1. Follow your dreams. and 2. Thank you for the great interview!

***
I strongly suggest checking out the rest of her collections (two of which I've got right here on my blog) and perusing her website. This lady is a rising star, so we must keep our eyes wide open lest we miss the moment when she becomes one of the revered designers on that list of alumni. 

Monday, March 18, 2013

Can I Have Your Closet: Ramona Petrini

This week's subject is one of my near and dear buddy-pals, Ramona Petrini. We met in ninth grade, but became infinitely better friends when she switched schools this year. She's the Kerouac to my Ginsberg, my literary-and-music-and-film-and-bebopping-around partner in crime, and one of the best writers I've ever met. In addition to all of these wonderful attributes, she's got pretty bangin' personal style. The way she described it in her interview is quite on point, but even from the first day that I saw her in my freshman art class when she was the only soul brave enough to answer the questions our teacher posed about a twig, I thought to myself that she seemed like a really, really cool chick. I also admired her courageousness to wear a sheer black shirt (something I still can't do to this day, even though I've got one hanging pathetically in my closet), and I was immediately intrigued by her very distinctive drawing style, and the way she so expertly employed a fountain pen. All in all, she's a fantastic gal, and I've been meaning to feature her on my blog since the first day we met.

Odelia: How would you describe your style?
Ramona: It would be like a conjoined twin, or triplet, a conjoined twiplet—triplet [laughs] between my mom in the late eighties, early nineties, Françoise Hardy, and what I imagine the women in F. Scott Fitzgerald novels to dress like, except a little bit, I guess—I don't wanna use the word sluttier, but...risqué. [Laughs] Okay there, that's my answer.
Odelia: Who are your fashion icons and who do admire aesthetically?
Ramona: Again, my mom, late eighties, early nineties. Lee Radziwill, she was a Bouvier sister, she was Jackie O's sister, and her mom was always like, “Oh, you're not beautiful, you're too fat,” when in fact she was really not fat at all. They said, “You're not as pretty as your sister,” and everyone was like, “Jackie O's so beautiful!” But Lee Radziwill, she knew how to dress. I saw all these pictures of her apartment, and she's just an effortlessly glamourous and aesthetically wonderful person. And then also my dad.
Odelia: Where are your favorite places to shop?
Ramona: The first one is my favorite because I don't have to pay money for it, and it is my brother's closet where my mom keeps her old clothes from the late eighties and early nineties! [Laughs] And Beacon's Closet and Salvation Army, and occasionally if you go to Urban Outfitters you can find some pretty weird and cool stuff piled in a pile, in their marked down section.
Odelia: If you could own one or more items right now that you don't have, what would it or they be?
Ramona: I suppose this is kind of corny, but I would very much like to own and never will own, the dress from Breakfast at Tiffany's, the Givenchy one with the long—and how it just sorta bunches at the hips and the waist cinches and it's a really beautiful, well-designed piece of clothing. The other garment would be this pair of socks I saw in a movie. They were just this sheer beautiful black fabric with a little lacy thing at the top and a lavender bow so you can tie it at the calf. It was like, bein'-sexy-around-the-house socks, which are the kind of socks I feel like I really wanna have. Or at least have the kind of lifestyle that would require such socks.
Odelia: Do you remember the movie?
Ramona: No. I don't think it was very good, but the socks were a highlight.
Odelia: Would you say that fashion is a big focus in your life?
Ramona: Well, I'd say that style is. And aesthetic. And colors and textures and everything like that, on people especially. I don't know—if “fashion” as a concept of perpetual visual fixation of humans, and people dressing well, and people carrying themselves well, and everything, you know? If that were how fashion were defined, then yes.
Odelia: How would you describe personal style as a concept?
Ramona: I'd say, first off, that I think it's very important. Not so much that we should put a lot of stock in the way we look, but personal style reflects people. It's corny, but it's true: it's not you wear, but how you wear it. So I'd say that personal style should just be a way of being. So I guess I'd describe it as very...human. And in some instances, very nice.
Odelia: How do you feel that, if at all, high school has influenced your sartorial choices?
Ramona: Whoa. A lot of sartorial choices have been influenced by high school [laughs]. Not totally good influences across the board, I guess at least before I switched high schools. There's this kid at my school, and when I go to school every day, he says, “Hey sexy mama, you look great today.” I think that's been like...well, I wake up every day and I'm like, “If I were that kid, would I call myself a sexy mama and tell myself I look great today?” So I guess that's the most positive and productive sartorial influence that that's had on me [laughs]! 

[Photos by me.]

So smiley and adorable!

She wasn't sure what to do pose-wise, so I told her she could do anything she wanted. So she began an interpretive dance of sorts. 

Gotta love that sweater. 

More dancing. It went on for quite some time.

She's big on satchels and briefcases. At heart, she's a classy business man from the 1950s. 

Hey, notice how she's wearing plaid. Coincidence? I think not.
I mean, also look at her conch necklace.

Also she has some really nice hair. She's got those midi-bangs that I so desperately want in order to fulfill my fantasy of looking like Audrey Hepburn in Roman Holiday.

Just in case the above information didn't capture the essence of Ramona, here is a short video taken while at her house after we finished up the interview and I accidentally turned the camera back on. 



Okay, I'm being very serious now, Ramona, I really would like your closet and would greatly appreciate if you would relinquish it without much of a fight. Please and thank you. 

Monday, February 18, 2013

Symphonic Apocalypse (Son Jung Wan Fall 2013)

Fashion Week coverage for Fall 2013, always beginning late over here on You're A Tulle. I like to relive the week long after it's passed. In fact, let's stretch it out all the way until everyone else reaches Paris, yeah?

As I foreshadowed months ago, I toned it down a bit this season and went to only three shows, as opposed to last season's eight. The first one I attended was Son Jung Wan on Saturday, February 9th. There wasn't much information given about the collection in the show notes except for the model line-up and what exactly they were wearing, so I thought it would be beneficial for all of us if I snuck backstage and interviewed the designer to find out what it was all about. You can find said dialogue below.

Odelia: What was your inspiration for this collection?
Son Jung Wan: I got inspired by painter Kandinsky. His Compositions express the flow of music and color, like a symphony. My color palette is based on nature tones, of course gray, and beige, and off-white, and I used accent color oxblood and opposed bright colors.
Odelia: Where do you often look for inspiration?
SJW: Music, and art, and daily life, and movies.
Odelia: Did you explore any new construction techniques for this collection?
SJW: I make seamless clothes, and handmade clothes.
Odelia: How would you describe your brand's style or aesthetic?
SJW: Sexy, luxury.

If you're unfamiliar with the oeuvre of Kandinsky, this is one of his paintings:


It's a little tricky to see how the inspiration translated to the collection because of the extensive use of color and seemingly arbitrary location of brushstrokes and shapes, but upon further inspection, the pieces start to fit together.

Kandinsky was heavily inspired by music, calling it "the ultimate teacher." Take this quote by the artist that describes the above piece:

"The sun melts all of Moscow down to a single spot that, like a mad tuba, starts all of the heart and all of the soul vibrating. But no, this uniformity of red is not the most beautiful hour. It is only the final chord of a symphony that takes every colour to the zenith of life that, like the fortissimo of a great orchestra, is both compelled and allowed by Moscow to ring out."

His seven Compositions that the designer referenced had a common theme of the apocalypse, and if you think about it really hard, the end of the world is a pretty natural thing. It has to happen. I don't want to turn this into a rant on my theories about the Mayan apocalypse and Global Climate Change, but I think Son Jung Wan unconsciously agrees with me. The world as we know it is going to end, and it's going to happen soon. You can either fight it, or you can ride the wave. By going back to basics (not just in fabric choices), we can secretly reverse the destruction of the Earth and ultimately avoid the actual demolition of our planet, while still reforming our world into a new one. Like a rebirth of sorts. 

I'm really unsure if any of that made sense, so in an attempt to not confuse you further, here are pictures. 

[Photos by me.]

Like a bib-poncho, but made of fur. 

It looks like she's floating, right?!

This color is pulled right out of a painting, I bet. 

As is this one.

I'm not sure if you would classify the hairdos as pompadours or beehives. They're very Morrissey meets Amy Winehouse.


A continuation of the Spring 2013 frills trend, which is in turn a continuation of the Spring 2012 frills trend.

Swoosh.


The aforementioned oxblood.

Fur is simply never going to get old, it seems.

And neither are metallics. 

If this was incoherent I apologize. No matter how much sleep I get my brain just doesn't receive the signals that THE SUN IS UP IT'S TIME TO WORK PROPERLY, THANK YOU!

I've got a bunch of stories lined up for you all, including coverage of the Alice + Olivia collection, a street style trend photographed by yours truly, and the reintroduction of Can I Have Your Closet! And an interview with some awesome people! And a shizton of other articles I'm going to write! Wut iz skewl?

Oh yeah, it's that thing I have to go back to in two days instead of in a week. Right.