Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Thursday, August 1, 2013

L'Année Dernière à Marienbad

Mon cousin Elie m'a recommandé quelques films que je dois regarder, quand je suis restée chez lui le mois dernier, et, savant que j'aime toutes les choses française (et que une partie de mes devoirs de l'été pour mon classe de français AP est de regarder et écrire des résumés pour des films français), il a inclus "L'Année Dernière à Marienbad" dans cette liste. Aujourd'hui c'était un jour paresseux, donc nous sommes restées dans notre quartier, faisant des petites choses amusantes. Ce soir, j'ai décidé de regarder ce film, et c'était magnifique. Je ne vais pas vous donner un résumé maintenant, mais pendant le film j'ai aperçu que les costumes de la femme qui avait une rôle principale (elle n'avait pas un nom) soient très jolies et uniques. Alors, j'ai pris des screenshots pour vous montrer, et pour vous donner, peut-être, un peu d'inspiration. 

My cousin Elie recommended some movies that I should watch when I stayed at his house a few weeks ago, and, knowing that I love all things French (and that part of my AP French summer homework is to watch and write reviews for some French films), included "L'Année Dernière à Marienbad" ("Last Year at Marienbad") in that list. Today was a lazy day, so we stayed in the neighborhood, doing assorted activities. Tonight, I decided to watch the movie, and it was incredible. I won't give you a whole description of it now, but while watching the film I realized that the costumes of the woman that played the main female role (she didn't have a name) were gorgeous and extremely unique. So, I took some screenshots to show you that perhaps will give you a lilabet of inspiration. 

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Très '60s, n'est-ce pas? 

Very '60s, right?

DON'T FORGET TO ENTER THE SOLE PROVISIONS GIVEAWAY!!!


Monday, March 18, 2013

Can I Have Your Closet: Ramona Petrini

This week's subject is one of my near and dear buddy-pals, Ramona Petrini. We met in ninth grade, but became infinitely better friends when she switched schools this year. She's the Kerouac to my Ginsberg, my literary-and-music-and-film-and-bebopping-around partner in crime, and one of the best writers I've ever met. In addition to all of these wonderful attributes, she's got pretty bangin' personal style. The way she described it in her interview is quite on point, but even from the first day that I saw her in my freshman art class when she was the only soul brave enough to answer the questions our teacher posed about a twig, I thought to myself that she seemed like a really, really cool chick. I also admired her courageousness to wear a sheer black shirt (something I still can't do to this day, even though I've got one hanging pathetically in my closet), and I was immediately intrigued by her very distinctive drawing style, and the way she so expertly employed a fountain pen. All in all, she's a fantastic gal, and I've been meaning to feature her on my blog since the first day we met.

Odelia: How would you describe your style?
Ramona: It would be like a conjoined twin, or triplet, a conjoined twiplet—triplet [laughs] between my mom in the late eighties, early nineties, Françoise Hardy, and what I imagine the women in F. Scott Fitzgerald novels to dress like, except a little bit, I guess—I don't wanna use the word sluttier, but...risqué. [Laughs] Okay there, that's my answer.
Odelia: Who are your fashion icons and who do admire aesthetically?
Ramona: Again, my mom, late eighties, early nineties. Lee Radziwill, she was a Bouvier sister, she was Jackie O's sister, and her mom was always like, “Oh, you're not beautiful, you're too fat,” when in fact she was really not fat at all. They said, “You're not as pretty as your sister,” and everyone was like, “Jackie O's so beautiful!” But Lee Radziwill, she knew how to dress. I saw all these pictures of her apartment, and she's just an effortlessly glamourous and aesthetically wonderful person. And then also my dad.
Odelia: Where are your favorite places to shop?
Ramona: The first one is my favorite because I don't have to pay money for it, and it is my brother's closet where my mom keeps her old clothes from the late eighties and early nineties! [Laughs] And Beacon's Closet and Salvation Army, and occasionally if you go to Urban Outfitters you can find some pretty weird and cool stuff piled in a pile, in their marked down section.
Odelia: If you could own one or more items right now that you don't have, what would it or they be?
Ramona: I suppose this is kind of corny, but I would very much like to own and never will own, the dress from Breakfast at Tiffany's, the Givenchy one with the long—and how it just sorta bunches at the hips and the waist cinches and it's a really beautiful, well-designed piece of clothing. The other garment would be this pair of socks I saw in a movie. They were just this sheer beautiful black fabric with a little lacy thing at the top and a lavender bow so you can tie it at the calf. It was like, bein'-sexy-around-the-house socks, which are the kind of socks I feel like I really wanna have. Or at least have the kind of lifestyle that would require such socks.
Odelia: Do you remember the movie?
Ramona: No. I don't think it was very good, but the socks were a highlight.
Odelia: Would you say that fashion is a big focus in your life?
Ramona: Well, I'd say that style is. And aesthetic. And colors and textures and everything like that, on people especially. I don't know—if “fashion” as a concept of perpetual visual fixation of humans, and people dressing well, and people carrying themselves well, and everything, you know? If that were how fashion were defined, then yes.
Odelia: How would you describe personal style as a concept?
Ramona: I'd say, first off, that I think it's very important. Not so much that we should put a lot of stock in the way we look, but personal style reflects people. It's corny, but it's true: it's not you wear, but how you wear it. So I'd say that personal style should just be a way of being. So I guess I'd describe it as very...human. And in some instances, very nice.
Odelia: How do you feel that, if at all, high school has influenced your sartorial choices?
Ramona: Whoa. A lot of sartorial choices have been influenced by high school [laughs]. Not totally good influences across the board, I guess at least before I switched high schools. There's this kid at my school, and when I go to school every day, he says, “Hey sexy mama, you look great today.” I think that's been like...well, I wake up every day and I'm like, “If I were that kid, would I call myself a sexy mama and tell myself I look great today?” So I guess that's the most positive and productive sartorial influence that that's had on me [laughs]! 

[Photos by me.]

So smiley and adorable!

She wasn't sure what to do pose-wise, so I told her she could do anything she wanted. So she began an interpretive dance of sorts. 

Gotta love that sweater. 

More dancing. It went on for quite some time.

She's big on satchels and briefcases. At heart, she's a classy business man from the 1950s. 

Hey, notice how she's wearing plaidCoincidence? I think not.
I mean, also look at her conch necklace.

Also she has some really nice hair. She's got those midi-bangs that I so desperately want in order to fulfill my fantasy of looking like Audrey Hepburn in Roman Holiday.

Just in case the above information didn't capture the essence of Ramona, here is a short video taken while at her house after we finished up the interview and I accidentally turned the camera back on. 



Okay, I'm being very serious now, Ramona, I really would like your closet and would greatly appreciate if you would relinquish it without much of a fight. Please and thank you. 

Friday, December 28, 2012

On Annie Hall and Evolution


About a year ago, I made a tiny little baby-sized reference to Annie Hall that at the time I didn't fully understand because I hadn't seen the movie until last night. I decided to watch it once and for all (because Amélie isn't on Instant Play, nor is any other movie on my to-watch list) on some shady free movie site (okay, it wasn't that shady, it just was taking forever to buffer at the beginning so I'm a little sour about that). I hadn't seen any Woody Allen films aside from Midnight in Paris, so I figured it was about time I saw one of his most classic movies.

All of that was just fluff. The point is: I watched Annie Hall last night, and it made me realize something. It was an idea that had been floating around my mind for months, but I couldn't really find a solid foundation for it. I couldn't write about it if I didn't have anything substantial to say. But while watching this movie, I finally figured a little piece of it out. This sproutlet of a postulation was on the subject of the importance of the evolution of one's personal style. Note: be forewarned that you are about to digest an unjustifiable amount of sentences in the subjunctive.

I'm a firm believer of change. If something isn't working, then, by golly, you do what must be done so that it works! This is a very broad opinion that could be applied to many aspects of life, but let's focus in on its relevance to fashion, seeing as this is a fashion blog, or whatever. When I was in middle school, I dressed like a complete dope. I wore elastic-waist-band jeans and the same Long Beach Island sweatshirt everyday all throughout seventh grade, and seventh grade was my least horrible year of middle school. I've never been to Long Beach Island. I don't even know if it exists. My repulsive sloppiness was mostly due to my nonexistent confidence, which was due to being very overweight. In eighth grade, however, things began to turn around. I started shopping at Urban Outfitters (you all remember how I gushed and gushed about that place in the early stages of this blog, don't you?) and I began actually selecting what I wanted to wear to school instead of throwing on whatever nasty hoodie was nearest me. All of a sudden, I got compliments from people on a skirt that I was wearing, or a top, and eventually whole outfits. By the time I had started wearing my mom's old clothes on a regular basis (because they finally fit me), I had established an unspoken reputation as a "fashionable" person. Few people remembered or commented on the fact that just a year before it was a big deal for me to take off that Long Beach Island sweatshirt that my cousin had received someone's bar mitzvah in 2006. I had changed, and it was awesome. That was around the point at which I began this blog. And that was another huge change, but that's a whole different story.

People talk all the time about how one's teenage years are an important time for exploration, and I'm not going to deny it. I can tell you from current experience that if I had stayed the same person I was in seventh grade, everything would seriously suck. The (possibly only) great thing about adolescence is that we're given an opportunity to transform. It's like a widely accepted thing that we're allowed to do. When we're adults, if we suddenly started dressing like a Wiccan princess elf, people will wonder what the hell happened. If I did that now (seriously considering it), people would just say, "Oh, she's exploring. She's a teenager." If I just so happen to decide that I really, really enjoy dressing like a Wiccan princess elf, then that is just fine and dandy. Perhaps that will be how I dress for the rest of my life, if I deeply connect to my inner Wiccan princess elf. Which I might. While we're supposing things, imagine that one day, or over a series of days, I come to the conclusion that I don't identify as strongly with my inner Wiccan princess elf as much as I used to. I shouldn't be forced to remain as I am if I am uncomfortable that way. Evolution is normal--nay, necessary, at all levels of life. If you don't believe me, ask Charles Darwin. He knows a great deal about all of this evolution business. Personal adaptation is therefore completely normal and necessary. One's outward appearance is apt to change, especially if he or she expresses themselves through clothing, or, in other words, if their outer self reflects their inner self.

Think back to the end of Annie Hall, when Annie and Alvy break up. (Don't worry, I didn't just spoil the whole movie for you if you haven't seen it. This much is mentioned within the first three minutes of the film.) Annie moves to California and leads a more relaxed lifestyle, one more suited to her character. Alvy, on the other hand, stays in New York, doing exactly what he had been while he was still with Annie, although now he is also ruminating over his lost relationship. When they meet again in California, Annie is the happier of the two because she became more herself. Alvy didn't recognize that he had the ability to change, and therefore did not.

If no one else has told you, I'll be the one to say it (again): changing is not bad. Now that this has officially become Chicken Soup For the Soul, I'll just keep going. Different is not bad, either, and is generally freaking awesome. Let's continue with my Wiccan princess elf example. I know it's extreme, but it helps prove the point, ya know? If I were to actually start dressing as such, I would probably freak out everyone I know (at least for a little while). They might ask me what happened that caused me to look like a phantasmagorical creature witch queen. If I say nothing and proceed to try and cast spells on them in Elvish, I might scare and/or annoy them. Unless I am actually casting Elvish spells on them, they can just deal. They'll get used to it eventually if these friends are keepers. But before my peers can acknowledge that this change is necessary, I have to concede to this as well. Switching up the way I dress isn't being dishonest to my style or even myself; it's quite the contrary. If I were to wear the same clothing my entire life, that would probably be more untruthful. At first, it may seem like I am copying others, and I might be. Over time, all of these various personas and identities will all come together to form a truer version of myself, because no one else will have the same amalgamation of inspirations and sources that I will. Now would be a good time to let Tavi Gevinson articulate this further: "If you're sick of how you dress, keep an eye out for clothes that remind you of the images that have caught your eye and your heart, and you'll create your own style by feeling like you've internalized and made part of yourself all the things you really love through these clothes that hold personal references and memories."

Annie Hall does play a role in all of this, I swear. While watching the movie last night and seeing the classic Annie outfit (see above), I felt an urge to start wearing high-waisted dress pants and ties with partially buttoned vests. And in the next scene I wanted to wear whatever she was wearing. I started going through my wardrobe in my head, determining what was plausible and what was not. After the initial moments of interest, it became less about wanting to look like Annie and more about evaluating her influence on me. I like the way she dresses, and I want to like the way I dress. In order for me to do that, however, I can't become someone else, because that person is not me (duh). I have to take Annie's style in, chew it up, digest it, and it will mix in with every other source of inspiration in my life. All of these ideas form a nice big stew in my brain, and as long as I keep adding ingredients, the flavor will change.

 [Photo via Google images.]



Sunday, September 30, 2012

We Are Infinite


I read The Perks of Being a Wallflower by Stephen Chbosky at the end of 8th grade, around the same time I began this blog. I started this website for many, many reasons, one of them being that I needed somewhere to throw my obsessive thoughts and make my preoccupation with fashion real, and the internet seemed like the prime place to do that. This book and blogging were the two things that returned me to my natural human state (to an extent. I have a theory that I was secretly born as an old-man-puppy-fish, and that doesn't sound too natural to me) when I was strugglin' so hard. I read it once and fell in love. I read it again at the beginning of my freshman year of high school because Charlie began high school in 1991, and I was starting in 2011, so I read each of his letters on the same date in real life. Since that made no sense, let me clarify: if he wrote a letter on November 9th, I read it on November 9th. It was so weird how events in each of our lives occurred at the same time, twenty years apart. ...Even though Charlie is not real. When I found out that they were making this fuqin' amazeballs book into a film starring Emma Watson, aka the absolute love of my life, I had a major mini heart attack. 

The '90s is (are?) easily one of my favorite decades culturally, musically, and sartorially (followed closely by the '60s and '20s), so I was mega pumped for the costumes, props, sets, and soundtrack for the movie. They didn't disappoint. If you combined Sam's (Emma Watson) and Mary Elizabeth's (Mae Whitman) clothing, that would be an accurate representation of how I try/want to dress every day of my life forever. It's like a funky mix between grungy '90s lumberjack casual style and a gypsy witch that has a fascination with stick-on jewels, sweaters and their multitudinous variations (ie, poncho), bizarre skin adornments, and copious ear piercings. Das me! 

Hopefully you can feel the ridiculous amounts of spiritual/sartorial inspiration emanating from the following pictures, because if you do that means we are brain siblings. 

[Photos via imdb.com and google.com.]

Sam's room + Charlie's suit + typewriter = this is what I want most in life. I'm actually on the hunt (a quest, if you will) for a typewriter and a cheap tie, so if you see either one, let me know.

Patrick (Ezra Miller) is not even human, I swear. And then there's Mary Elizabeth (bottom left), being a total badass. 

This was easily one of the best scenes in the whole movie. They are at a school dance when all of a sudden a good song comes on, and Patrick and Sam are like, "Living room routine. Right now." So they shove their way to the center and just start dancing like maniacs. It is amazing.

Mary Elizabeth!!!!! Wearing red!!!!!!!!!! My favorite color!!!!!!! 

Emma as Sam as Janet. 

I want Sam's jacket and her hair, and Patrick's face to stay like that forever. 

If you have not read this book, drop everything and read it right now. If you haven't seen this movie, don't drop everything, but go see it anyway. That's enough unauthorized book promotion for today. 

One last thing: I made a playlist out of the mixtape Charlie made for Patrick for Secret Santa so you guys can fully immerse yourselves in the world of the book.


Have a jolly Sunday! 

Saturday, September 29, 2012

The Transitive Property (Lela Rose Spring 2013)

Lela Rose's runway show took place on Sunday, September 9th, at 11 am. Bright and early. Delightful. I took my seat and began perusing the front row from afar. When I spotted a perfectly coifed top knot and a set of familiar cheekbones, I asked the woman sitting next to me if that was in fact Lauren Conrad seated over there. My hunch was confirmed. As much as I hate to admit it, my sister and I did watch "The Hills" more than a few times at a suspiciously young age. 

Enough about LC and her California gurls. Onto the fashion show. As I mentioned in my video a few weeks ago, I didn't think that Lela Rose's collection was particularly visually cohesive. However, that is because it was based on "the frailty of the human experience." Wowza. Not to go all philosophical on you guys (don't get me wrong, I love going all philosophical; it happens at the most inopportune moments, actually. Or are they really the most opportune moments??? Whoaaaa), but life is not cohesive, so by my trusty friend--and the only useful piece of information I got out of my freshman geometry class--the transitive property, neither is Lela Rose's Spring 2013 collection. In the designer's defense, the collection makes a lot of sense conceptually. She was inspired by the work of the artist Jim Hodges, whose pieces references nature a lot, often in the forms of flowers and webs. Lela translated that into fabrics and prints, incorporating floral patterns, lace, and metal chains into her S/S '13 show. She used Hodges' entire oeuvre as inspiration for the collection, which resulted in a bit of a mish-mosh of ideas that didn't really seem to string together too well. There was camouflage and tweed and lace and lots of bright colors and metal(lic) accents...oh my! It may have been a better idea to just zero in on a few aspects of the artist's work, but perhaps if she had the collection would not have been as large, nor would the pieces be as sellable as they indisputably are. 

Below you shall find the best photos of the bunch from this show. 

[Photos by me.]

Highly constructed pieces and emphasized seams make for an interesting contrast.


Orange, why do you keep showing up season after season? Are ya done yet?

Isabella Melo. Mere feet from my body. Wut. Also neon t-shirts paired with coral skirt-jacket ensembles. Wut.

So content. Whatchu lookin' at, grl? 

Bam. Visual assault, in the best way possible. 

The Man Repeller would be proud of this dress.

Spidery and spindly, reminiscent of this piece by ol' Hodges.

...But like somedays, when I get like a crumb of food, that's a good day, so is this one.


Lacey-lace and lavender. Alliteration rox my sox.


The metallics I mentioned before. 
Also, the model definitely experienced a UFO sighting at this moment. That is the only explanation for such an intense glare. 

Isabella Melo, part 2. 

Laurenzo Conrad! All bedazzled and stuff. That man interviewing her shoved me a lot in an effort to get to Lauren first. We can call him Gopher Man. Don't look so serious, Gopher Man. 

Sorry for sporadic posting, ballroom dancing got in the way. Once. That's right, you heard it from me, I am taking a few ballroom dance lessons with my mother and two foreign instructors. High school auctions are the absolute best.

Would you all be devastated if I didn't do Fall/Winter 2012 trend reports? I know, I know, I just think I missed the deadline; I would be starting far too late for it to be of any help. I'll do the Spring ones instead, and I'll do Fall instead of Pre-Fall over the summer! Yay for compromises! I'll do a few of the good ones for this season, of course, because we can't pretend that the trends don't exist.

Have a mighty fine weekend, friends. Go see "The Perks of Being a Wallflower" because it's amazeballs. Expect a post on that soon, that's how much I love it. (It got almost 8 stars on IMDb! Good Will Hunting got only three-tenths of a star more. That is how awesome this movie is. Plus the author (Stephen Chbosky) wrote the screenplay, so you just know that nothing could go wrong. Except for that they left out the poem Charlie gave to Patrick, but after contemplating it for a while I forgive Chbosky.)

Wednesday, August 22, 2012

Trending For Pre-Fall: Not Turquoise, Not Lapis...Cerulean

The title of this post is a reference to what is possibly my favorite monologue of all time. If I were auditioning for something, I would use that. Screw Shakespeare (luh dat bitch)! If you're like, "What is happening. What is cerulean. It sounds like crustacean. And isn't lapis the French word for 'rabbit?'" then you need to do two things: 1) leave  2) go watch The Devil Wears Prada. 

If you've been reading this blog since last summer, you may remember when I saw this film last and had slight epiphanic reactions to it. This masterpiece, the epitome of cinematic genius (IMDb has no idea what they're talking about, it deserves more than 6.7 stars), is relevant today for more than one reason. First of all, today's trend is about--you guessed it!--blue. Secondly, since I started my internship at Lyn Devon on Monday, I've felt a lot like Andy and Emily; running all around the city delivering garments and picking up items from the warehouse and doing odd jobs here and there...it's madness. Maybe you've heard this before and scoffed, but you better believe it now because I am telling you fo' rill: interns are the hardest working ones there. I'm serious. We're the ones that do inventory and move stock from venue to venue and make sure our clients have their clothing in a timely and organized fashion for free. Essentially, it's slave labor. But educational slave labor. 

Now for the trendy stuff. Blue is slowly trickling back into the fashion world multitudinously (see the blue mascara at Stella McCartney), but it's been gathering steam with every new season. Whatever shade it is, blue is going to look good on you 96.5453% (note: that statistic is entirely false) of the time. When you're a toddler, blue is usually associated with boys, and pink with girls. The gender barriers are falling down--although the foundations are still there--and lines are being crossed that were left untouched for years. Men wearing pink, women wearing blue...the latter is not such a shocker, but let's pretend. 

How does one wear blue? See for yourself. 

Photos via style.com.

Turquoise: 

                              Alberta Ferretti                                                                DSquared²
          

                               Narciso Rodriguez                                            Philosophy di Alberta Ferretti 
          

Lapis: 

                               Emporio Armani                                                    T by Alexander Wang
          
   
                            T by Alexander Wang                                                         Acne
          



Cerulean: 

                                 Issey Miyake                                                         Opening Ceremony
          

Issey Miyake

If you're one of those "I don't wear color" crackheads (jokes, jokes), blue is the perfect gateway drug pigment. Start with dark hues in the navy and lapis family and slowly work your way up to more vibrant shades such as cerulean, cobalt, and turquoise. Or if you'd like to work your way down from white, jump on the pastel bandwagon and begin by incorporating sky, powder, and baby blues into your wardrobe. 

I am dead tired and can't feel my feet, but I'm being immersed in fashion, which is absolutely wonderful. I'm a dreadfully fast learner when it comes to menial tasks (yet painfully slow when it comes to historical facts), so I'll be a pro when I do my next internship, whatever that may be. Come at me. I'm ready.

P.S. Bird is the word, so spread it! ...As in spread the word about this site if you feel so inclined. A surprising amount of my readers came from my personal Facebook account, and now that that's gone, I need your help, my lovelies, to tell people to come and enjoy the fruits of my endless labor. 

The weekend is soon, school is soon, Fashion Week is soon. I can't tell if I'm excited or terrified of all three or not. 

Friday, July 6, 2012

Some Like It Hot

...Especially if they live in California. The sunshine state (I think that's what they call it) is home to several of the country's most famous filming spots for television shows and movies, most likely due to the fact that it's beautiful out all the time. The temperatures are high and the humidity levels are low, unlike New York where it's just a nasty combo of heat and sweat. We stayed on an island off of San Diego called Coronado for a few days while on the west coast, and effing geez, it was one of prettiest little places I've ever been. And I've seen a lot of pretty places in my day. The Hotel Del Coronado, located near the beach on the island (the number one rated beach in the country; its sand has gold in it, that's how perfect it is) is the filming spot for the Marilyn Monroe movie Some Like It Hot, hence the title of this post. 

A few days later, we took a mini road trip up to Malibu to see the critically acclaimed beaches. And when I say "critically acclaimed," I mean it. These shores are more famous than the actors in some of the movies they shot there. Here are some examples: Malibu Shark Attack (not like that's a well-known movie or anything, it sucks royal hippogriff), scenes from Planet of the Apes, and The Even Stevens Movie. The beaches of Malibu are also the setting for Two and a Half Men, Hannah Montana, So Little Time (that awesome Mary-Kate and Ashley show we all watched religiously and had the corresponding Gameboy game for--unless that was just me), The Big Lebowski, and Iron Man. While reading about the place on Wikipedia, I discovered that the music video for One Direction's "That's What Makes You Beautiful" was also shot here. Gr8. Does Malibu Barbie ring a bell? In addition to actors on set being on Malibu beach, actors off set live on the coast, right between the mountains and the ocean. It's a terrific spot, especially if you like being in constant danger of being killed by tsunamis and landslides. Perhaps both at once if you're having a particularly luckless day. 

This is the last post of my Cali-forn-I-A travel diary, and I've saved the most gorgeous for last. 

Photos by me.


The Hotel Del Coronado in all of its glory. 

Oh, just kidding, this is the hotel in all of its glory. It's like an estate unto itself. A manor of sorts.

The San Diego Bay and its little babies, just chillin' in the water, all casual-like. 

Malibu beach's pier lookin' sultry in black and white. 

Please just take a moment to try and imagine that you live on this beach. Think really hard. ...Can't do it? Yeah, that's not even in my realm of impossible realities either. 

Piers are a great invention: they let you trick people into thinking you took a picture from the middle of the Pacific Ocean. 

We got a little excited with our sno-cone and went multi-colored/flavored. We even went so far as to sprinkle some sweet and salty plum powder (somethin' crazy and completely unreal in any place but Malibu) on top. 

One of the classic shacks in which the lifeguards in Malibu Shark Attack attempt to take refuge when the mutant sharks try to kill them. Why they didn't just leave the beach is unfathomable to me. 

Ever since I deleted my Facebook I've gotten so much more done than I have in months. I've been writing, blogging, cleaning my room, doing arts and crafts, standing in long lines, and doing a lot of worthwhile nothing. I felt that while I was using Facebook, I was wasting time. I feel as though my minutes are better spent sitting doing absolutely nothing but thinking than scrolling through endless photographs and meaningless status updates brought to me by people I don't care enough about to actually talk to. And you know how I feel about wasting time. Or maybe you don't. I like it as much as a superstitious person would like if they walked underneath a ladder while a black cat ran in front of them and a mirror smashed to pieces on the ground before their eyes. 

Have a marvelous weekend, dear readers. By the way, I really appreciate those of you who have continued to come back here even though my posts don't go directly to your newsfeed anymore. That's dedication. I'll send you a mental thank-you note on paper infused with pressed flowers and the text written in calligraphy by a professional scribe.